Holz geigt die Quartette, WoO 204, (Canon solution by Willem) (mp3)

Holz geigt die Quartette, WoO 204, (Canon solution by Willem) (mp3)
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Performer: Willem
Length: 0:45
Holz geigt die Quartette, WoO 204 (Original sketch) (mp3)
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Performer: Willem
Length: 0:13
Holz geigt die Quartette, WoO 204 (Original sketch)
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Author: Mark S. Zimmer
Length: 0:09
Holz geigt die Quartette, WoO 204 (Canon solution by Willem)
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Author: Willem
Length: 0:31
Holz, Holz, Geigt die Quartette So, WoO 204 (September 1825). This brief musical joke comments on Karl Holz's performance of the string quartet opus 132. The text "Holz, Holz, geigt die Quartette so, als ob sie Kraut eintreten" (Holz, Holz plays the quartets as if they were stomping on cabbage) is by Beethoven's nephew Karl. It's nice to see that uncle and nephew could still share a joke in spite of their strained relationship.

James Green : "It was practice in Beethoven's time to make sauerkraut by cutting the heads of cabbage into quarters, placing them into a barrel and then stomping on them in bare feet to release the juices in order to speed the fermentation process. This creates quite an image, if indeed Holz did play the violin that way." (New Hess Catalog, p.163).

Video Sauerkraut eintreten

(You see? You see? One washes one's feet before dinner!)

The musical joke can now also be played as a four-voice canon, after Willem's discovery of the solution.

Willem: "When looking at WoO 204, "Holz, Holz, geigt die Quartette" last night, I noticed something interesting: it could not only be worked out as an ordinary two-part canon, but also as a mirror canon. And what's more : these two could be combined! So, if we represent the theme by "1,2,3,4,5,6" and its mirror image by "m1,m2,m3,m4,m5,m6", then I've worked it out as follows

voice1  1, 2, 3, 4, 5, 6, 1, 2, 3, 4, 5, 6, 1, 2, 3, 4, 5, 6
voice2		 1, 2, 3, 4, 5, 6, 1, 2, 3, 4, 5, 6, 1, 2, 3
voice3			 m1,m2,m3,m4,m5,m6,m1,m2,m3,m4,m5,m6
voice4				  m1,m2,m3,m4,m5,m6,m1,m2,m3
Of course, to keep in tune with the text, I had to score it for string quartet!"

The fact that Kinsky/Halm and Hess describe the piece as just a 'musical joke', and not a 'canon', means that the canon solution had eluded them, while Ludwig Misch doesn't even mention it in his chapter on the canons. We are therefore happy to present here for the first time both Beethoven's original sketch and the working out as a canon. Truly, for Beethoven world premieres the Unheard Beethoven site is the place to be!

WoO: 204



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